Une Soirée Au Théãtre...!

1910 - back when women kicked major @$$...!

Aye - twas a fine evening of refinement at the theater; the famed théãtre du Rideau Vert, to be more specific. I do not remember seeing any green curtains, though...
Anyway! An evening of fine art. Yes - it was!
Or rather an afternoon - not an evening at all, because the dernière (opposite of premiere) of the play was at 4pm - Eastern Standard Time! And we caught that one - da!

Hmm... there are quite a lot of VASSAS out there, 

indeed! As per our luminous habit - 

we like to round them all up! 

And COMPARE! 

They may say that it is not fair to do so, 

yet we all know otherwise... hmm? 

But enough with that now - back to our play!

And the play was... bitter Gorki (boy - that is redundant! But purposefully so - so it goes!) revisited by Russian metteur en scène extraordinaire Alexandre Marine's version of VASSA! Of course - who better than a Russian to adapt and modernize another Russian's masterpiece? And, I must say, the old Mariner of the stage did a masterful modernized adaptation of this classic - and just in time for its 100th anniversary too! (100th anniversary - and third collaboration between him and the stage diva of the stage that stars in it!) An adaptation so innovative too, different from previous takes on it in so many ways...



Of course the entire enterprise is well-served by a cast that is as colorful Éas it is well-trained; starting with the matriarch herself, perfectly embodied by the local diva of the Canadian stage (on the Quebec side, anyhow) Sylvie Drapeau! From there, Marine found all the suitable thespians to surround her solidly and effectively: Catherine De Léan, Jean-François Casabonne, Marc Paquet, Hubert Proulx and Evelyne Brochu, to name but them.

It was not difficult to see the reason why, mid-way through this run, Sylvie Drapeau had to take a few days rest, on doctor's orders. For it is indeed a very physical play in which virtually everyone on stage has to get physical at some point or another: dance numbers, so many elaborate choreographies worthy of a music video that have to be repeated day after day, not to mention the fight scenes and other types of physicality as well... (On two occasions, at least, the matriarch Vassa is found slamming her hands hard on the wooden table visibly made of massive oak. On another occasion, earlier in the play, she smashes a tea cup with a hammer that appears in her hands out of nowhere! She slaps her daughter-in-law, her maiden servant and her son on three different altercations. She wrestles with her lover, trying to wrangle free of his strong arms as he lifts her effortlessly - aye, I was impressed by the strength of the stocky goateed man! But that is another story... In the near finale, with all characters on stage, it looks like a battle royale as a brawl erupts and the deformed nephew is found kicking his promiscuous uncle into oblivion! 'Tis a very violent play, I tell you; or rather Marine's adaptation focuses on the violence more than others ever did before! But I am digressing now... Yet again...) All this to say that, most certainly, all of this extra exercise added to the already exhausting mental gesticulation of having to memorize and articulately deliver each and every line, every single time, it had to be more than enough to drain Mrs. Drapeau of all of her creative energy - for a time! At least long enough to justify "le repos forcé" and the cancellation of a handful of représentations... (More than two - as many as five, or so I heard through the grapevine...?)

I sincerely doubt that the play was delivered every bit as well as it was on October the 16th - especially on premiere night, the actors must have been still at phase one of fine tuning their roles. The characterization was only planned out at that stage - not put in use in any other context than one of a repetition. After weeks of this fine tuning process, they can only improve with each performance. On the final evening (or afternoon, yes) the best had to come out; due to both factors.

Thus I sincerely hope that they videotaped the performance that I saw live, on October 16th, with my beloved spouse. It was, verily, a fine evening of the arts - in the afternoon, granted, but everyone could have an early dinner for that fact! And an earlier Saturday night brewski for that matter - but that is another story... again!

Comic Booky Flicks Are IN!

Who said that comic-books had to be about super heroes in ridiculously colorful tights - and that the movies that would try to adapt them had to be just as unrealistic and flat as the source material oftentimes is doomed to be? Nowadays, it simply does not have to be so! Not when the funny books have ways to circumvent the sad realities of the past -recent past too, of course- and, to do so, churn out rather side-effect side-projects onto the silver screen rather than faithfully adapt thinly-crafted silver age metaphors...! But let us not get into that right now - hmm?

Look at DC - not Warner Bros, but truly DC Comics, yes! Just a few short years ago they served up such monumental dreck as Catwoman and an animated feature starring Wonder Woman (not to mention a bunch of them starring... Batman. Again. Ugh.)
All in a barely sustained effort to show their corporative muscle and keep up with the allegedly smaller Marvel Entreprises which is, without support from a mighty juggernaut such as Warner Brothers, pumping out adaptations of their entire roster, one at a time! From the atrocious Ghost Rider to the inept Iron Man and onwards to Captain America and the Avengers; they are not stopping trying to flesh out their entire prime roster. While DC countered timidly with a stinky Superman reboot, a smelly Dark Knight, a rotten-to-the-core Watchmen and some odd choices in-between (including Jonah Hex, of all oddities...!)
However, DC has something the competitor does not readily have - a sub imprint! With Vertigo and other even odder lines of short-lived wastes of paper (mercifully - for the potential readers, not just for the forests) the big corporative entity known as DC can, at least in theory, find something that might hit the jackpot. Eventually. Maybe. And with the creation of DC Entertainent, thye can actively dip into the bank of characters that they own in order to try and create something viable at least in terms of straight to DVD. I mean, they tried with LXG. They tried again with V For Vendetta. And then they gave us The Losers.

The latest attempt is simply titled RED - and it features like a reunion party for Hollywood's old guard - alas, for DC.

(Keep trying; what can I tell ya...)

Have a look...

Oops - wrong RED there... try this one: 

sheesh - not the new 52 there... at all! 

Let's try this again...

AND AGAIN - AND AGAIN...

So, you can go for that 

Dirty Half-Dozen 

of Reservoir Tinseltown Has-Beens.

Or go for something visibly inspired, at some point, 

by ARCHIE, BETTY AND VERONICA...

At least there are some true gems, once in a blue moon, that are undeniably inspired by comic-books but present it in such a way that you can only appreciate it with genuine glee and applaud the effort - KICK-ASS comes to mind.

.

Oopsy-do again - seems like a time traveler 

- FUTURE MAN no less - 

dropped in on our blog... kicking Kick-Ass'... 

er... ass out of there?!?

We apologize for the inconvenience... 

Alas, for all the Kick-Asses, there will always be a bunch of Mystery Men that are so painfully lame that all they do is insure the death of the four-color world rather than bring it more fans thanks to its inception into the Seventh Art...

(Ohh - did I say INCEPTION? Bah... never mind that now; it was a flash-in-the-pan... Wait - did I say the FLASH? HA - forget it!!!)









Of course, quite ironically so, the best renditions are oftentimes delivered by the totally fake fan-made editing jobs...!

And if all else fails - there is always the 

amalgamated movie/videogame combo: